Reference: random image from Google, ~35min.
Quick portrait on toned paper (inside of cereal box) using graphite, black and white charcoal and some terra cotta color pencil. It’s fun to try and figure out the best combination for using these. It’ll be useful for figure studies.
Reference: New Master’s Academy #26, ~20min
After watching some youtube videos, I decided to make a 4-step progression. 1) Map in the gesture of the pose (the flow of it), 2) add basic shadows with the edge of the pencil and also shade in the whole figure and background, 3) add the core shadow line and the cast shadows (darker than previous shadow), 4) use kneaded eraser to give highlight. That’s it.
Reference: New Master’s Academy #28, ~35min
This shows the progression of timed poses from 1 min (top), 2 min (middle), 5 min (bottom right) and the 10 minute (bottom left). I questioned if I should post this since it’s not anything spectacular, but chose to for two reasons: if it helps another student in seeing how I start figures and progressively add to it; and secondly, hopefully someone very experienced will see this and help guide me with some tips. After all, this is why we are part of blogging community, to encourage, learn from and inspire each other, right?
Reference: New Master’s Academy #34 (YouTube), ~1hr
I tried to do a study in charcoal and avoid tight lines as much as possible. It really made me pay attention to masses of light and dark and pay attention to the shadow line between lit areas of the skin of direct light and reflected light.
5 Minute poses.
1, 2 Min Poses.
Reference: Master’s Academy YouTube sessions (mix); ~20min
This is a quick post to show “painting in” a figure with the broad side of a pencil. It’s faster, really good at helping to establish values, and seems to help mass in the figure with a perspective on shadow masses, rather than line. It may seem like a downgrade in quality, but it teaches how to let go of trying to get tight detail with a fine line as seen in a lot of YouTube lessons. Also, this brushstroke style of using the pencil is easy to erase when needed if you go back to fill in tight detail. Hope it helps!
Reference: Pic taken off Grumpier Old Men 2, ~40min
Bradwynn Jones is an up and coming artist that inspired me to do quick 20 minute sketches in the morning. Well, I couldn’t resist going over a bit. Walter Matthau’s face is fun to draw. “The face of a mackerel” was the quote from the movie of Sophia Loren’s mom. I’m hoping to get good enough to do quick sketches of friends I make while hiking sections of the Appalachian Trial (trail family).
Reference: Croqui Cafe 84, ~2hr
Quick post: It was a “wake up, eat breakfast while drawing” day before heading out to class. After a few 1-minute gesture drawings, I settled on this pose because of the great shadows. She had an expression of relaxation and enjoying the simplicity of the pose. I didn’t shade much below the torso, but it didn’t seem to need it for expressing her pose. Okay… off to welding class…
Reference: Figure & Gesture Drawings, ~2hr
When doing a class sketching gestures of figures, I came across this image with dramatic shadows and highlights. The posture of the body is the key to emphasizing the passionate, bold emotion. Once again, this website is such a great tool to use!
Reference: Croqui Cafe 76, ~35 min.
Why use only a random ballpoint pen? No erasing. It’s the cure of lazy, time consuming drawing that happens from not looking at the subject enough. To solve this, do the ballpoint pen challenge. It may not be a “finished work”, but it’s a great lesson to raise the pressure just enough to look twice before marking. Hope you try it!
Reference: Random internet images, ~3 hrs
After watching a Jeff Watt’s Atelier YouTube video, I got inspired to start a random portrait. I wasn’t concerned about catching a likeness, but more about seeing the big features of the face that give expression.