It was interesting to note the difference drawing the dark skinned lady as compared to light skin. The highlights and shadows are more pronounced, probably because I can’t see too much into the shadows from the camera. I decided to leave the shadows largely the same value to accentuate the lighter values. I kept the white charcoal on a leash today and just added a few highlights of the face and breast. Really fun study!
Reference: New Master’s Academy #26, ~20min
After watching some youtube videos, I decided to make a 4-step progression. 1) Map in the gesture of the pose (the flow of it), 2) add basic shadows with the edge of the pencil and also shade in the whole figure and background, 3) add the core shadow line and the cast shadows (darker than previous shadow), 4) use kneaded eraser to give highlight. That’s it.
Reference: New Master’s Academy #28, ~35min
This shows the progression of timed poses from 1 min (top), 2 min (middle), 5 min (bottom right) and the 10 minute (bottom left). I questioned if I should post this since it’s not anything spectacular, but chose to for two reasons: if it helps another student in seeing how I start figures and progressively add to it; and secondly, hopefully someone very experienced will see this and help guide me with some tips. After all, this is why we are part of blogging community, to encourage, learn from and inspire each other, right?
5 Minute poses.
1, 2 Min Poses.
Reference: Master’s Academy YouTube sessions (mix); ~20min
This is a quick post to show “painting in” a figure with the broad side of a pencil. It’s faster, really good at helping to establish values, and seems to help mass in the figure with a perspective on shadow masses, rather than line. It may seem like a downgrade in quality, but it teaches how to let go of trying to get tight detail with a fine line as seen in a lot of YouTube lessons. Also, this brushstroke style of using the pencil is easy to erase when needed if you go back to fill in tight detail. Hope it helps!
Reference: Croqui Cafe 84, ~2hr
Quick post: It was a “wake up, eat breakfast while drawing” day before heading out to class. After a few 1-minute gesture drawings, I settled on this pose because of the great shadows. She had an expression of relaxation and enjoying the simplicity of the pose. I didn’t shade much below the torso, but it didn’t seem to need it for expressing her pose. Okay… off to welding class…
Reference: Figure & Gesture Drawings, ~2hr
When doing a class sketching gestures of figures, I came across this image with dramatic shadows and highlights. The posture of the body is the key to emphasizing the passionate, bold emotion. Once again, this website is such a great tool to use!
Reference: Croqui Cafe 76, ~35 min.
Why use only a random ballpoint pen? No erasing. It’s the cure of lazy, time consuming drawing that happens from not looking at the subject enough. To solve this, do the ballpoint pen challenge. It may not be a “finished work”, but it’s a great lesson to raise the pressure just enough to look twice before marking. Hope you try it!